An Altar in the World

An Altar in the World: A Geography of Faith is a beautifully written contemplation on the ways ordinary living can intersect with the divine. Barbara Brown Taylor writes about the everyday disciplines that become portals into God’s presence: paying attention, wearing skin, getting lost, encountering others, feeling pain. It was not surprising to discover late in the book that Brother Lawrence is one of Taylor’s spiritual mentors, because in one important way her perspective resembles his: no earthly activity is too humble to be a meeting place with God.

An Altar in the World is an eminently practical book. Each chapter proposes not a theory or teaching, but a practice. I liked this feeling of being anchored in the good world God made. Taylor writes poetically, and with a wit that reminded me a little of Anne Lamott without the shock value. Taylor is an Episcopal priest who left parish ministry to teach college, and though I come from a different theological background I found her to be a delightful guide — honest, wry, and at times profound.

I’ve quoted several passages from the book over the last few days. But I wanted to include another from the chapter on feeling pain, where Taylor discusses the book of Job. She comments,

One night of real pain is enough to strip away your illusions about how strong you are, how brave, how patient and faithful. Who would have thought that a torn cornea could hurt all the way down to the soles of your feet? Who would have imagined that a really bad case of food poisoning could make you doubt the mercy of God? You do not need a torturer standing over you to recognize the direct link between pain and truth. Pain is so real that less-real things like who you thought you were and how you meant to act vanish like drops of water flung on a hot stove. Your virtues can become as abstract as algebra, your beliefs as porous as clouds.

See what I mean? Over and over as I read, I felt the pull to buy the book (I read a library copy) just for the pleasure of owning words like that. The chapters on pain, Sabbath, paying attention, and wearing skin were favorites out of the dozen practices addressed.

The chapter on prayer didn’t resonate with me as well; I felt a little lost. I couldn’t really relate to Taylor’s reluctance to say that God answers prayer:

The meaning we give to what happens in our lives is our final, inviolable freedom. Only you can say whether God answered you. If you have any sense, you will ask someone with more experience than you to help you decide what the answer means, but even then the choice is yours. Are you still waiting for God to answer you, or is your life the answer you have been seeking, hiding in plain view?

While I would agree that God’s dialogue with us is personal — a fact that Jesus illustrates over and over in the gospels by answering other questions than the ones people are actually asking him — I don’t think it’s helpful to open up a question about whether he answers at all. Scripture seems pretty plain on that: he does. Even though we all struggle at times with what seems like his silence.

I also think that though Brother Lawrence was onto something in offering his activities and bodily life to God — we are to do “everything in word or deed as unto God” — there is also a verbal component to prayer that I certainly need. I get tired of it sometimes; it’s a burden to be always having to formulate words in prayer, and I will lapse into phases of wordless, rather vague meditation “in God’s presence.” But then I’ll wake up in the middle of the night some night — as happened recently — and realize, “I miss you, God.” It’s my words that somehow form a bridge, a meeting ground. They offer some terms in which God’s answers can be recognized, whether through insight or solution or event or transformed perspective. I need the mundane labor of words, and I need the commitment of words, in my relationship with God — even though temperamentally, I’m someone who seems always to be craving silence.

An Altar in the World engaged me on several levels and I found it deeply satisfying. It sends me back into my life with a heightened sense of its richness. It is full of altars, and full of purpose — something I know, but which seems more real after having read this.

Marvelous luggage

Whether you are sick or well, lovely or irregular, there comes a time when it is vitally important for your spiritual health to drop your clothes, look in the mirror, and say, “Here I am. This is the body-like-no-other that my life has shaped. I live here. This is my soul’s address.” After you have taken a good look around, you may decide that there is a lot to be thankful for, all things considered. Bodies take real beatings. That they heal from most things is an underrated miracle. That they give birth is beyond reckoning. (Barbara Brown Taylor, “The Practice of Wearing Skin”)

Am I the only one who has to do this more than once in my life?

When I was in high school, I worried so much about my weight that I developed bulimia. In graduate school, I took up running and slimmed back down, but I still bear the aches and pains of my foolish refusal to stretch out those muscles before or after running. Then I went through pregnancy twice — which was really not bad; I liked the fact that my body changed, and was supposed to. (I certainly liked the outcome of pregnancy!)

Now I’m in my forties and it’s wrinkles, fading hair, freckles, slower metabolism, and other strange developments that tempt me to dissatisfaction at least, loathing at worst. It seems to be a lifelong process, this coming to peace with one’s body. I seem to depart into this or that other vision at every phase, a vision of some other Janet with some other body. But my own body never departs. There it is, patiently waiting in the mirror to be noticed and accepted.

Barbara Brown Taylor proposes that choosing to live contentedly within one’s own body can be a spiritual discipline, an act of worship — not worship of our bodies, but of the God who made and loves them. It can reveal knowledge of God, who quite purposefully took on a body himself in the pivotal moment of human history, and he keeps it still. “Here we sit,” she writes, “with our souls tucked away in this marvelous luggage, mostly insensible to the ways in which every spiritual practice begins with the body.”

These are good words. Today I choose again to accept this “marvelous luggage” as God’s gift to me. Let that be a starting point to whatever new knowledge of him he wants to impart.

Learning Curve

younghawk3

I’m trying to learn how to photograph birds in flight. I’ve taken so many pictures, and few if any have turned out. Today I’ve done some reading on the subject and feel encouraged; there are some things I can do, some adjustments I can make, to improve.

Meantime, I’ve been reading Barbara Brown Taylor’s An Altar in the World, so far a very satisfying book about cultivating a sacramental approach to life. She talks a fair amount about nature, and about the need to be willing to stop and pay attention. She sounds a little bit like Brother Fowles in The Poisonwood Bible when she writes,

Like anyone else, I do some picking and choosing when I go to my holy book for proof that the world is holy too, but the evidence is there. People encounter God under shady oak trees, on riverbanks, at the tops of mountains, and in long stretches of barren wilderness. God shows up in whirlwinds, starry skies, burning bushes, and perfect strangers. When people want to know more about God, the son of God tells them to pay attention to the lilies of the field and the birds of the air, to women kneading bread and workers lining up for their pay.

Whoever wrote this stuff believed that people could learn as much about the ways of God from paying attention to the world as they could from paying attention to scripture.

I have been learning to pay attention with a camera, and it’s strange the hold it has taken on me. Who needs so many pictures of birds and butterflies and flowers and landscapes when we can look around and see them all with our naked eyes? I don’t know. But there is something about the camera around my neck that has improved my naked eyes — or improved the nerve pathways from eye to heart. I believe that God loves it when we admire his world, and I have reaped the benefit in sheer pleasure as I notice things I never noticed before.

It’s a learning curve of sorts — learning to see, and to capture what I see, and to read it. Yesterday I watched this young hawk for awhile, and it seemed to be experiencing a learning curve as well, navigating the breezes and trying to decide whether I was friend or foe. The pictures are not sharp, but even so they give the sense of the bird’s grandeur even in its indecision and awkwardness. Maybe next time, I’ll capture it better. Meantime, it’s a picture of young royalty — a red-tail whose tail is not yet red, whose instincts are not yet wise to humans, but whose symmetry and strength inspire all the same.

 

Two

two

I’ve been thinking about the concept of two, which I’ve been noticing a lot lately in our wanderings. It’s funny how many combinations make the point that two are better than one…